"In rereading Virginia Woolf’s A Room of One’s Own (1929) for the first time in some years, I was astonished at the sense of effort, of pains taken, of dogged tentativeness, in the tone of that essay. And I recognized that tone. I had heard it often enough, in myself and other women. It is the tone of a woman determined not to appear angry, who is willing herself to be calm, detached, and even charming in a roomful of men where things have been said which are attacks on her very integrity. Virginia Woolf is addressing an audience of woman, but she is acutely conscious–as she always was–over being overheard by men: by Morgan and Lytton and Maynard Keynes and for that matter by her father, Leslie Stephen. She drew the language out into an exacerbated thread in her determination to have her own sensibility yet protect it from those masculine presences."
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